Sobre final fantasy vii
Five hundred years later, Red XIII and two pups arrive on a precipice over the overgrown ruins of Midgar with children's laughter ringing in the background. Themes[]
O primeiro qual utilizei foi justamente 1 ataque combinado do Cloud e Sephiroth, que facilmente foi uma das coisas Ainda mais espetaculares que vi em toda a demo. Além por ser amplamente estiloso e disparar bem dano no boss, esse ataque proporcionou um bônus de PM (Pontos por Mana) infinito por um tempo.
The team discussed continuing the 2D strategy, which would have been the safe and immediate path just prior to the imminent industry shift toward 3D gaming; such a change would require radical new development models.[37] The team decided to take the riskier option and make a 3D game on new generation hardware but had yet to choose between the cartridge-based Nintendo 64 or the CD-ROM-based PlayStation from Sony Computer Entertainment.[37] The team also considered the Sega Saturn console and Microsoft Windows.[39] Their decision was influenced by two factors: a highly successful tech demo based on Final Fantasy VI using the new Softimage 3D software, and the escalating price of cartridge-based games, which was limiting Square's audience.[37][40][41] Tests were made for a Nintendo 64 version, which would use the planned 64DD peripheral despite the lack of 64DD development kits and the prototype device's changing hardware specifications.
A battle scene with Cloud, Barret, and Tifa facing a dragon. In this given moment, the player must choose a command for Cloud to perform. At random intervals on the world map and in field mode, and at specific moments in the story, the game will enter the battle screen, which places the player characters on one side and the enemies on the other. It employs an "Active Time Battle" (ATB) system, in which the characters exchange moves until one side is defeated.[1][2] The damage or healing dealt by either side is quantified on screen. Characters have several statistics that determine their effectiveness in battle; for example, hit points determine how much damage they can take, and magic determines how much damage they can inflict with spells. Each character on the screen has a time gauge; when a character's gauge is full, the player can input a command for them.
Sephiroth had departed for the mako reactor to save his "mother", as Jenova had been contained there. Zack had confronted Sephiroth at the reactor, but lost. Cloud had arrived soon after seeking revenge, and a weakened Zack had given Cloud his Buster Sword to kill Sephiroth with. Cloud had hurled Sephiroth into the Lifestream below the reactor, but had suffered great wounds in the affair and fallen unconscious.
In fact, new players might even enjoy starting their Final Fantasy VII journey with Final Fantasy VII Rebirth. Cloud and his friends embark on a new journey in this game, and I believe that the scenes that they witness after leaving Midgar will give players a fresh, new experience."
In contrast to the visuals and audio, the overall gameplay system remained mostly unchanged from Final Fantasy V and VI, but with an emphasis on player control.[44] The initial decision was for battles to feature shifting camera angles. Battle arenas had a lower polygon count than field areas, which made creating distinctive features more difficult.[quarenta] The summon sequences benefited strongly from the switch to the cinematic style, as the team had struggled to portray their scale using 2D graphics.[45] In his role as producer, Sakaguchi placed much of his effort into developing the battle system.
[97] Michael Basket was the sole translator for the project, though he received the help of native Japanese speakers from the Tokyo office. The localization was taxing for the team due to their inexperience, lack of professional editors, and poor communication between the North American and Japanese offices. A result of this disconnect was the original localization of Aerith's name—which was intended as a conflation of "air" and "earth"—as "Aeris" due to a lack of communication between localization staff and the QA team.[98]
Sephiroth kills Aeris by impaling her with the Masamune. Cloud is enraged, but Sephiroth taunts Cloud, telling him he should not act as though he has feelings. Floating up into the sky, the "Sephiroth" turns out to be Jenova; the person the party hunted and followed since the beginning was Jenova—escaped from the tank in the Shinra Headquarters—taking Sephiroth's form.
Some of the minigames are just as fun to watch as they are to play, so they’re perfect to play when you feel like taking a breather from the main story.
But thanks final fantasy vii to a strong and evolving combat system, new looks of iconic characters and a brilliant work of reorchestration of Uemtasu's score. If only it could have gone just a little further.
Unravel a gripping narrative Witness the personal journey of each party member and strengthen their bonds to work together and face off against powerful enemies.
Cid leads the party to claim Shinra's Huge Materia, which Shinra schemes to load onto Cid's rocket and launch directly at the meteorite. Cid doesn't want Shinra to get their hands on the Huge Materia, massive concentrations of the planet's power, and wants them for their own use to fight Sephiroth.
The musical score of Final Fantasy VII was composed, arranged, and produced by Nobuo Uematsu, who had served as the sole composer for the six previous Final Fantasy games. Originally, Uematsu had planned to use CD quality music with vocal performances to take advantage of the console's audio capabilities but found that it resulted in the game having much longer loading times for each area. Uematsu then decided that the higher-quality audio was not worth the trade-off with performance, and opted instead to use MIDI-like sounds produced by the console's internal sound sequencer, similar to how his soundtracks for the previous games in the series on the Super NES were implemented.[68][69] While the Super NES only had eight sound channels to work with, the PlayStation had twenty-four.